Hiv And Aids The Most Destructive Health Crisis Of...

HIV stands for Human Immunodeficiency Virus, which with time will lead to AIDS. AIDS stands for Acquired Immunodeficiency Syndrome. HIV/AIDS is the most destructive health crisis of modern times. (â€Å"How HIV and AIDS Affect Populations†) This virus came from chimpanzees who had SIV (Simian Immunodeficiency Virus), which was transmitted to humans and mutated into HIV. (â€Å"What is HIV/AIDS?†) HIV enters the bloodstream through mucous membranes. HIV can enter through the lining of the rectum, walls of the vagina, and the urethra, which is the passageway to the penis. HIV can also enter through the nose, mouth, and throat. (â€Å"Having HIV-AIDS is Like a Death Sentence†) This is transmitted through bodily fluids such as blood, pre-ejaculate fluid,†¦show more content†¦The relationships of one HIV positive individual, and one being without HIV is called â€Å"mixed status† relationships. If any bodily fluids, blood, or plasma has contaminated anything, high concentration bleach will kill the virus, according to the article â€Å"Having HIV-AIDS is Like a Death Sentence.† HIV can take five to fifteen years to develop into AIDS. (â€Å"Having HIV-AIDS is Like a Death Sentence†) The time of the development varies from person to person. This also depends on the health status of a person and behaviors. There is now medical treatment to slow the rate of HIV affecting the immune system. Medications and treatments now can cure or prevent some of the illnesses with AIDS. There are several issues that can occur when you have the HIV virus. Neurological complications can come along with HIV/AIDS. Dementia is one of the complications that can occur. Dementia is a disorder of the mental processes, which causes personality changes and impaired reasoning. Another example of a neurological complication would be neuropathy, which is a disorder that causes numbness or loss of feeling, and weakness. Neurosyphilis can be a major effect of HIV as well. This is syphilis that is involved in the central nervous system. Syphilis is a chronic bacterial infection that is mainly contracted through sex. HIV causes many different disorders and complications to the body chiefly

Writing News Classics Adapted for Dummies and Mommies

There are lots of books for babies in the bookstores. Fairy tales and funny, yet educational stories about almost everything in the world, are designed in the form of cardboard books with thick pages and rounded corners. Simple plots, lots of pictures – almost all of us read them back in our childhood. They look attractive and are safe for reading and chewing. But for some reason parents stopped enjoying the simplicity and naivety of fairy tales and switched to the BabyLit series. What is it? Well, basically, books, which belong to BabyLit series, feature the most popular and important classic literary works, which are adapted for young minds of toddlers and babies. Nevertheless, instead of diving into depths of plot, babies will explore such topics, as colors, counting or concepts like diversity (or opposites, or other). Talking of design of such books: they are wonderfully decorated and their graphic is quite complex. Classics, published by BabyLit series, are mostly designed by talented contemporary artists. It is surely stupid to hope, that a 3-year old would get something for himself out of the plot of such a book, as, for example, â€Å"Sense and Sensibility†. It is also quite questionable if a child could even understand the title of this work (because even when talking of adults, not all of them do). But using the adapted version of the book in order to study colors or numbers? Priceless. Why classics anyways? In order to develop child’s aesthetic taste! Linda Bubon, an owner of a bookstore Women Children First, which is located in Chicago, states the following: â€Å"If we’re going to play classical music to our babies in the womb and teach them foreign languages at an early age, then we’re going to want to expose babies to fine art and literature. Now we know there are things we can do to stimulate the mind of a baby.† Besides, it is much more interesting for parents to interact with their child while reading and showing them pictures of adapted classic book, than while reading some ridiculous story about the adventures of puppies, or vegetables, or pieces of furniture. Children tend to like some books so much, that parents have to reread them again and again. It is obvious, that rereading, for example, adapted â€Å"Moby-Dick† is less annoying, than rereading plotless â€Å"Angry Birds† story. At least, adapted classics, even after losing the complexity of their plot, still recall some memories on how nice it was to read the full story.

Philosophy C100 Quiz 12 - 1572 Words

PREVIEW: PHIL C100 Quiz 1 — P A G E 1 — 1. The word philosophy comes from the Greek philein (to love) and sophia (knowledge or wisdom). X | True | | False | 2. Which of the following is a philosophical question: | Is there a God? | | Does the end justify the means? | | What form of government is best? | | What is Time? | X | All of the above. | 3. An argument is a reason for accepting a position. X | True | | False | 4. The area of philosophy concerned with values includes | Ethics | | Aesthetics | | Social/political philosophy | X | All of the above | | None of the above | 5. Trying to argue that God exists because it says so in the Bible and the Bible is the†¦show more content†¦| | act and potency. | | essence and form. | | All of the above. | 21. In pointing out some similarities between the early Greek metaphysicians, Aristotle pointed out that they were all concerned with X | causation. | | the certitude of sense perception. | | the impossibility of true knowledge. | | the Theory of the Forms. | 22. A ________________ is a fundamental form of reasoning where one proposition is inferred from two others. | sophigism | X | syllogism | | parallelism | | cynicism | 23. Aristotles concept of the unmoved mover or the ultimate efficient cause is similar to but not identical with, the later theistic concept of God seen in certain major religions. X | True | | False | 24. What we call Metaphysics, Aristotle called first philosophy because it considers the most basic questions of existence. X | True | | False | 25. For Aristotle, the ultimate purpose for which something happens is the ______________ cause. | material | | efficient | | formal | X | final | PREVIEW: PHIL C100 Quiz 2 — P A G E 1 — 1. Augustine thought that skepticism could be refuted by | the principle of non-contradiction | | the fact that the act of doubting posits one’s own existence | | our senses give us at some rudimentary knowledge. | X | All of the above. | 2. __________________ blended Christianity with the philosophy of Aristotle, delineating the

Tin Pan Alley - 1990 Words

Tin Pan Alley The 1920s was the beginning of a decade of change in the American arts. Jazz, along with such inventions as the phonograph, radio and sound movies, transformed the music industry. By the end of the decade, 40% of all Americans had radios in their homes. Not surprisingly, 58% of households in New York City owned a radio. New York became the center of the music world, and at the center of New York was a small area called Tin Pan Alley. Radios initially provided the young centurys second uppercut to the music publishing business of Tin Pan Alley. Burton Lane was part of a well-known Cape Town-based duo, who delivered a powerful, emotive and distinctive blend of acoustic rock stated, Tin Pan Alley was a real alley on East†¦show more content†¦Dorothys career spanned over five decades, she collaborated with some of the greatest of the industry. Many of her songs became instant classics, and she was one of the biggest co-librettists of all Broadway. Another composer, Kay Swift, was born into a cultured New York family of modest means. Swift often accompanied her father, a music critic, to performances at the Metropolitan Opera. This was how she developed her interest in composing. In her graduation piece, she displayed the ability to combine classical rigor with inventiveness, blending ragtime and fugue. Touring the New York area with the Edith Rubel Trio after graduation, Katharine performed at the summer home of a friend and met rising young banker James Paul Warburg, whom she married in 1918. It was at one of the couples boisterous parties that she met George Gershwin. Gershwin was the one who transformed Katharine Warburg into Kay Swift. She joined the musicians union and worked as a rehearsal pianist for Richard Rodgers as he readied A Connecticut Yankee for Broadway. With her husband collaborating as lyricist, Kay made her first hit at the age of thirty-four with the song, Cant We Be Friends. A year later, in 1930, she wrote the entire score of the Broadway musical FINE AND DANDY, which ran for two hundred and thirty-six performances. But Swifts continuing relationship with GershwinShow MoreRelatedMusic s Impact On The Music Revolution1729 Words   |  7 Pagesthat time there was no major companies who consistently put out music for the purpose of being consumed. The first time we can see this concept being readily applied would be in Tin Pan Alley. Although Tin Pan Alley was still producing sheet music it was created for the purpose consumption. Even during the time of Tin Pan Alley the music was still created for people who had money. As time progressed the idea of big businesses that dominated the industry began to flourish. Soon the only way for an artistRead MoreMusic Must Keep up with Cultural Tides and the Changing Demands of its Customer s887 Words   |  4 Pagesthe culture industry, implying that music was not independent of industry and commerce, that it was produced en-mass in a standardised format with no other purpose than to maximise profits, in an assembly line like production method. Citing the Tin Pan Alley method of producing jazz standards for ordinary consumption, and thereby sabotaging the very essence of improvisation which characterises jazz, further stating that even the pseudo like improvisations on recordings and live performances were manufacturedRead MoreThe Spread of Jazz and the Effects on Society1288 Words   |  6 Pagesblack culture throughout America and provided black entertainers with the best opportunity available to them. The emergence of Tin Pan Alley and the commercialization of sheet music and recordings greatly expanded popular music in America and set the way for the development of jazz music in the following decades. Though most of the successful songwriters in Tin Pan Alley were white, there was a significant black presence, especially early in the development of the industry. Fletcher Henderson, whoRead MoreWhat I Attended A Concert1398 Words   |  6 Pagesof the songs performed by the ensembles included â€Å"La Almeja Pequena,† â€Å"Count Me In,† â€Å"Rockin’ In Rhythm,† and â€Å"I’ve Got a Crush on You.† Although there were many diverse styles played throughout the concert, many songs performed are from the Tin Pan Alley, jazz or swing genres, all of which became popular between 1930 and 1950. The songs performed by the Northwest Jazz and Studio Jazz Ensembles can collectively be classified as big band era music, including polyphonic textu res, complex rhythmicRead MoreMusic Publishing : An Integral Part Of Their Professional Lives Essay1659 Words   |  7 Pageshuge milestone. (Hull et al., 2011 pg. 112) From the late 1800s to the early 1950s, 28th Street between 5th Avenue and Broadway, became known as Tin Pan Alley. Tin Pan Alley was a major publishing hub. Publishing staffs included piano demonstrators, arrangers, staff composers and lyricists. (Passman, 2006 pg. 255) As Flattum describes it, â€Å"Tin Pan Alley became an assembly line.† (Flattum, 2006) However, with the invention of the gramophone, a new form of music publishing was born which marketed theRead MoreMusic During The Early Years Of Music1798 Words   |  8 Pagesspotlight. The first main type of music that was the style to start with was the music that came out of Tin Pan Alley. â€Å"After the American Civil War, over 25,000 new pianos a year were sold in America and by 1887, over 500,000 youths were studying piano. As a result, the demand for sheet music grew rapidly and more and more publishers began to enter the market† (In Search of Tin Pan Alley). This music consisted of a collection of artist who produced sheet music and sold it to consumers for theirRead MoreEssay about Jazz Styles in America1905 Words   |  8 Pageshas influenced many time periods and ways of life in America. Tin Pan Alley was a real alley on East Fourteenth Street near Third (in New York), but it was never just a place. Tin Pan Alley has come to be known for an era of songwriting when many musical ideas mixed together to form American popular music. Tin Pan Alley brought together many styles: blues, jazz, musical scores, and ragtime (Burton Lane qtd. In Tin Pan A lley). What are the various jazz styles? Not only has jazz affectedRead MoreMusic Notes3387 Words   |  14 Pages * Television (emerging 1940’s) * Inherited radio’s national audience * Radio began to turn to local/regional audiences (developing blues amp; country) Tin Pan Alley * Songwriters, white, Jewish (Irving Berlin, George Gershwin) * Sheet music publishing concentrated in an area of NYC called tin pan alley * Standard, very flexible, formal pattern * Sectional verse-chorus format (sectional chorus people are likely to recognize, and sectional verse is the set up) Read MoreThe Comparison of Entertainment in the Early 1900s and 20002034 Words   |  9 Pageswere still produced by Tin Pan Alley, including 1923’s â€Å"Yes We Have No Bananas† and 1925’s â€Å"Sweet Georgia Brown.†.(Carlisle 43) The name Tin Pan Alley was given to a group of music publisher and artists who lived in New York City during the 1900s. Tin Pan Alley was very popular around that age. â€Å"They dominated the popular music of the United State in the late 19th century and early 20th century.† (Carlisle 43) Tin Pan Alley got their name because they were located in an alley in Manhattan. Jazz initiallyRead MoreBob Dylans Impact on Popular Music1013 Words   |  5 Pagesphilosophical topics to the younger audience through music, he almost single handedly killed Tin Pan Alley. The whole traditional form of publishing and producing music and in his doing so changed music for everyone, he established a new path that didnt mean people were going to be writing and performing the way he does, but that they are not going to be performing anything like the world of Tin Pan Alley before Dylan. Making music personal and in the moment, influencing The Beatles and evolving

Succubus Dreams CHAPTER 22 Free Essays

Seth wasn’t at the bookstore the next day, which I took as a bad sign. It was usually his passive-aggressive reaction to whenever we had a fight. I thought about him a lot while I worked, thinking of that awful blowout. We will write a custom essay sample on Succubus Dreams CHAPTER 22 or any similar topic only for you Order Now We’d had a lot of uncomfortable talks in our time together, but we’d never had anything like that. I couldn’t put my finger on exactly what about it bothered me – aside from the obvious – but I kept feeling like it was a pivotal moment, something that was going to have long-reaching effects. It scared me, and I wanted to fix things. And, of course, there was Nyx to worry about. I was going to find a victim after work, and then Vincent said the angels would come while I was asleep – when Nyx made her move. â€Å"You okay?† I looked up from the stack of checks I was signing in my office. Maddie stood there in a black pencil skirt and fitted white blouse that made her look super amazing. She’d worn her hair down too. â€Å"Wow,† I said. â€Å"What’s the occasion?† â€Å"Nothing,† she said, with a shrug. â€Å"Wardrobe overhaul.† She lifted one foot, revealing three-inch black heels. â€Å"Holy shit,† I said. â€Å"You don’t do anything in halves.† She beamed, and I noticed something about her that had nothing to do with the new clothes. There was joy in her eyes – a happiness that made her confident and even more radiant. She was a far cry from the bitter woman who’d shown up at the auction. â€Å"What’s going on?† I asked, not fixating on myself for the first time today. Her grin widened, revealing her phantom dimple. A moment later, she turned more serious. â€Å"I’ll tell you later. My news is good. But you†¦what’s the matter? You look awful.† Yasmine had said the same thing last night. It really was a sad day when a succubus couldn’t stay on top of her game. I shook my head. â€Å"It’s†¦complicated.† I offered a weak smile. â€Å"I’ll deal with it, don’t worry. Now, come on. I’d rather hear something cheerful. Tell me what’s going on.† â€Å"Can’t. They need me out there. I just came to drop these off.† She set a stack of papers on my desk. They practically melted into the other stacks I already had. My office was so chaotic, it could have been a lair for Nyx in and of itself. â€Å"Come on, the suspense is going to drive me crazy,† I teased. â€Å"Well†¦you think you can give me a lift to the airport tomorrow? I’m going home for Christmas.† â€Å"You taking Doug with you?† â€Å"Nope. He’s your holiday gift. But I’ll give you the scoop then if you can give me a ride. I’d probably need to leave around five.† â€Å"Five o’clock traffic on the Friday before Christmas. We’re going to have a lot of time to talk.† A bit of her normal nervousness reappeared. â€Å"If it’s a problem†¦Ã¢â‚¬  â€Å"Nope. We’re closing early anyway. We’ll go then.† Maddie left, and I found myself momentarily distracted by whatever her news could be. Whatever it was, it was a good thing. I liked the change it had brought about. That sort of happiness and confidence suited her. My thoughts were interrupted by the phone ringing. I answered and found Seth on the other end. â€Å"Hey,† I said, hoping I sounded cool and confident and not desperate and relieved. â€Å"Hey.† A long pause followed. â€Å"I†¦just†¦wanted to make sure we were on for Christmas.† My heart sank. No: â€Å"I’ve missed you.† No: â€Å"I’m sorry.† â€Å"Sure. Wouldn’t miss it.† Thinking about Christmas. I experienced a weird sense of d? ¦j? ¤ vu. We’d also been with his brother on Thanksgiving. And like now, we’d also been fighting. There it was again: my life, the endless loop. You aren’t learning. You aren’t changing. Of course, Seth and I had patched up the other fight. Maybe that kind of resolution would repeat itself too. After all, holidays were supposed to be magic, right? â€Å"Okay,† he told me. â€Å"I’ll pick you up.† â€Å"Okay.† Another long pause. â€Å"I’d come by today, but†¦well. The book†¦Ã¢â‚¬  The book. Always the book. Then again, I was busy with chaos deities today. â€Å"Yeah, I know. It’s fine.† â€Å"We’ll talk on Christmas.† â€Å"Okay.† We hung up. A chill ran through me. There it was again. I had no gift for premonition, but an inner instinct – one that had nothing to do with Nyx’s visions of the future – told me there was something big coming. After work, I drove over to Bellevue, Seattle’s richest and most pretentious suburb. A city in its own right, Bellevue was pretty much the polar opposite of SeaTac. Hotels, restaurants, and shopping were continually being added to its downtown strip, and the influx of money from Boeing and Microsoft was steadily replacing older, plain buildings with sleeker and more stylish architecture. Bellevue was also home to a guy I knew named Kevin. I’d met him years ago in a bar. There was nothing overly extraordinary about Kevin. He was neither a sinner nor a saint, instead occupying some happy ground in the middle that yielded a decent amount of energy whenever I slept with him. His most notable trait was that he was perpetually available. He worked at home – some Web business, I believed – and never seemed to go out, despite being good-looking and sociable. I didn’t question that too much, though, because it suited my purposes whenever I needed quick and easy sex with someone I didn’t completely loathe. â€Å"Sandra,† he said happily, opening the door of his condo for me. He had dark brown hair and a closely trimmed, very new beard that I approved of. Dark brown eyes regarded me with amusement. â€Å"Been a while.† My â€Å"Sandra† form had a petite build similar to the one I usually wore. After that, the resemblance ended. My hair was now curly and black, my eyes a blue that looked violet sometimes. Underneath my long black coat, I wore a sleeveless navy blue dress that fit snugly and was far too skimpy for this kind of weather. â€Å"It has been,† I agreed. â€Å"Does that mean you aren’t going to let me in?† He smiled and stepped back, grandly waving me inside. â€Å"What, do you think I’m crazy or something? Only an idiot would turn you away.† I followed Kevin down the hall and into his living room. He’d redecorated since the last time I was here, and the change was nice. The furniture and d? ¦cor were now all done in shades of a grayish blue that reminded me of winter twilights. A fireplace crackled on one side of the room, and a large bay window looked out to another set of condos. I draped my coat over a chair and smoothed miniscule wrinkles out of the dress. â€Å"You want something to drink?† he asked, hands in his pockets. I shook my head. â€Å"I don’t have much time.† He gave me a rueful smile. â€Å"You never do. You know, sometimes I feel used.† â€Å"Is that a problem?† â€Å"Problem?† he asked with a snort. â€Å"A beautiful woman who wants to have sex with me and no commitments? Hardly a problem.† He took a few steps toward me. â€Å"Use me all you want.† He came closer still, and we met in a kiss. No delay, no preamble. I wrapped my arms around his neck and parted my lips, eager to feel him and taste him. His hands rested on my hips for a moment, then slid upward. He caught my dress’s straps and pulled them down, baring my breasts and still kissing me the whole time. Pushing forward, he pressed me against the wall, near the fireplace. I felt its heat against the bare skin of my legs. His hands cupped my breasts, thumbs sliding to my nipples and squeezing them. He varied the intensity, sometimes hard and sometimes gentle. I broke the kiss long enough to incline my head toward the uncovered window behind him. â€Å"The window – â€Å" He crushed his mouth back against mine. Our tongues danced together briefly, and then he pulled back just long enough to say, â€Å"I know.† The tone of his voice told me that he not only knew – he also wanted it that way. I didn’t question it. This apparently was the season for exhibitionism. Eventually, he moved his mouth away from mine and trailed kisses down my neck. I tilted my head back and arched the rest of my body toward his. One of his hands continued cupping a breast as he nibbled on its nipple, teeth and tongue stirring it to arousal. His other hand pushed up my skirt, eagerly seeking my panties and what lay within. The ache for his energy and his touch coursed through me. I moaned softly as he moved his lips down my body. Shifting to the floor, he settled on his knees while still keeping me standing against the wall. He pulled the panties down all the way, so they hung around my ankles. Sliding his hands between my thighs, he pulled them apart slightly and then buried his face between them, his stubble tickling me. I was burning and wet, more so than I’d realized, and when his tongue touched my aching clit, I moaned more loudly and felt my knees tremble slightly. I started to tell him that he didn’t need to do this, that it was okay if he just wanted to get straight to the main event. But as his tongue gently moved back and forth, building the heat and ecstasy within me, I swallowed my words. The last three guys I’d slept with hadn’t made me come, and although this visit was strictly utilitarian and part of the Nyx plan, I suddenly and selfishly wanted to get more than his life energy out of it. Back and forth his tongue moved, speed and intensity continually shifting. As his thoughts began to trickle into me, I could tell that he liked doing that not simply for the sake of novelty, but also because he liked seeing the way I reacted to each slight change. He was one of those men who truly enjoyed making a woman happy. The burning spot he’d brought to life between my legs grew and grew, expanding beyond where his tongue touched, beyond my thighs. Steadily, it spread into my whole body, all the way to my fingertips. I felt like fire in human – or rather, succubus – form and writhed against the wall, against him. My knees buckled as the searing pleasure reached a critical point inside me, and his hands moved down to steady my legs and keep me upright. At last the core within me exploded, the fire turning to pure light, pure bliss. I cried out at the way the orgasm consumed me, at the way his tongue still kept teasing me even in the throes of my climax. Finally, even he couldn’t keep me upright. My legs had turned to jelly, and I sank to the floor in front of him. He smiled, genuinely pleased, and leaned forward to kiss me. I could taste me on his lips. â€Å"Come on,† he said, taking my hands and helping me up. He led me over to the window and peeled off the rest of my dress. He eased me onto a high window seat. Removing his own clothes, he murmured, â€Å"I should go find a condom.† My breathing was rapid, my heart pounding away. â€Å"No, I want to feel you – just you.† I took his hand and brought it between my legs, guiding his fingers into me. â€Å"I want you to feel me.† I’d been wet before starting all this and was now doubly so after what he’d just done. His fingers glided easily inside of me, and his eyes widened at what he felt. Indecision played on his face, and then he nodded. If counseling any of my human friends, I would certainly advocate safe sex. It didn’t matter for me personally, however, since I couldn’t catch anything or get pregnant. Often with victims, I’d talk them out of any sort of protection in order to increase their guilt. With Kevin tonight, I didn’t want to bother with condoms simply because I didn’t want to waste the time. My urgency and desire were too strong. I wanted him now. I slid my hands down his stomach and felt how hard he was. He wanted me too. I wrapped my fingers around him, stroking and massaging and loving the way he swelled within my hand. Pressing my back against the cold glass, I drew my knees up to me and then spread them wide, feeling rather like a butterfly. The window seat was exactly the perfect height, putting us hip to hip as I led him inside of me. We both gasped at the contact. He pushed in as far as possible, our hips pressed skin to skin. The way he filled me up was exquisite. Shape-shifting meant I could make myself as tight as possible, and I loved how he tested the limits of it. He paused a moment, simply savoring the way our bodies felt together, and then slowly began moving in and out of me, rocking me against the window with each thrust. And with that, his life began pouring into me in earnest. I nearly exhaled with relief. The sensation of that energy filling me up rivaled the feel of his body inside me. I had missed it so much, missed the wonder and joy of that pure, indescribable energy generated by the human soul. Nyx had been stealing a part of me, and I was glad to have it back, if only for this moment. The thoughts coming through with his energy were happy and content ones as he reveled in the pleasure of being with me. A secret, kinky part of him was turned on by hoping that his neighbors across the way might be watching. He hoped they were. He hoped they were jealous. His thrusts grew harder and harder, and he murmured over and over how wonderful I was, how beautiful. Still sensitive from him going down on me, I came twice more, my body melting as the orgasms’ spasms shook me. At last, I felt his body tense and saw his expression signal he was about to lose control. I dug my nails into his arms and begged him to come in me. He did, shoving me so hard against the window that I hoped the glass would hold. The peak of his energy hit me with his climax, and as it faded, we both sighed happily. I didn’t abandon him quite as quickly as I had Bryce, but I didn’t spend time lounging in the afterglow either. I helped him get dressed and made sure he was situated comfortably on the couch before I left. I liked him, after all, and hoped I’d see him again in some other casual situation. His face was languid and content as we made our good-byes. â€Å"You are the most exhausting woman I’ve ever been with,† he told me, eyelids flickering with fatigue. I couldn’t help a smile. Of course I was. Other lovers didn’t steal his soul – at least not literally. â€Å"Does that mean you want me to stay away longer next time?† He smiled and yawned. â€Å"No. Absolutely not.† Still smiling, I left and headed back to the city. But as I drove closer to downtown, brimming with energy, my happy feelings faded. I remembered why I’d had to go see him in the first place and what would happen tonight. My body, so achingly hot an hour ago, grew cold. When I arrived back at my apartment, Vincent, Carter, and Yasmine were already waiting for me. None of them commented on my glow. Instead, they launched right into the plan. â€Å"Nyx will probably come trolling around tonight,† Carter explained. â€Å"And when she sees you’ve got energy again, she’ll do her thing.† Yasmine nodded along. â€Å"We can’t be here when it happens. Vincent will be around, out in the living room. She won’t suspect him of anything; she’ll figure he’s an ordinary human. But when he senses her feeding off of you, he’ll let us know. Then, we’ll show up and bind her.† I didn’t like the sound of any of that – neither the feeding nor the binding. â€Å"What’s that mean?† â€Å"We’ll pull her out and trap her,† said Carter. Presumably â€Å"out† meant out of me. Yikes. â€Å"Then we’ll take her away, back to her prison,† added Yasmine. Their confidence inspired confidence in me, and I suspected I was being influenced by angelic charisma. But there was no way out of this, not if I wanted to shake my nighttime visitor. â€Å"All right,† I said. â€Å"Let’s do this.† The angels left. It was still early evening, so I hung out with Vincent. We played a couple games of cards and watched bad movies. Hanging out with him in such a casual way made it easy to forget he was a nephilim. When midnight loomed, I stood up and stretched. â€Å"I don’t think I can sleep,† I remarked. â€Å"It’s like trying to go to bed on Christmas Eve. Too jittery to settle down. Except†¦it’s not Santa I’m waiting for.† He smiled. â€Å"Well, try. If we need to, we can probably give you a sedative or something, but this whole thing will be more efficient without.† It took a long time – lying in bed for almost two hours – before I fell asleep. It wasn’t easy to relax when you were inviting a creature of chaos to come feed off of you. And yet, as I drifted off, I couldn’t help a small flicker of eagerness. I’d be dreaming the dream again. And I did. It started from the beginning, like always, running all the way to the part where the little girl fell and my dream-self comforted her. The girl’s tears were drying when we both heard the faint sound of a car door closing. My dream-self straightened up. A smile blossomed on her face as she regarded her – my – daughter with the kind of over-exaggerated excitement adults often use with children. â€Å"You hear that?† my dream-self asked. â€Å"Daddy’s home.† Mirrored excitement showed on the girl’s face as my dream-self stood up, still holding the girl and balancing her on one hip. It was an act of some coordination, considering how small my dream-self was. They walked to the front door and stepped outside onto a porch. It was nighttime, all quiet darkness, save for a small light hanging on the porch. It shone onto a long stretch of unbroken white snow on the lawn and the driveway. All around, more snow fell in a steady stream. I didn’t recognize the place, but it certainly wasn’t Seattle. That much snow would have sent the city into a panic, putting everyone on Armageddon alert. My dream-self was perfectly at ease, barely noticing the snow. Wherever she was, it was a common occurrence. In the driveway, a car had just pulled up. I felt my dream-self’s heart swell with happiness. A man stood behind it, a non-descript dark figure in the faint lighting. He took out a rolling suitcase and slammed the trunk shut. The little girl clasped her hands in excitement, and my dream-self waved a hand in greeting. The man returned the wave as he walked toward the house, and my waking self tried desperately to see his face. It was too dark. I needed him to get closer, just a little closer – I couldn’t get any closer because just then, I felt my soul get ripped out of me. I sat up in bed, nearly screaming in agony at the pain coursing through me. All four angels, plus Vincent, ringed the room. The power pulsing around us felt like smoke. I could barely breathe. And there, beside my bed, was Nyx. She looked a lot like Erik’s description: an old, emaciated woman. Her skin and hair were white, her dark eyes sunken and inhuman. A tattered, gossamer dress wrapped around her body. She had an almost translucent look, like she wasn’t entirely solid, and a sparkling aura shone around her. I couldn’t see the forces being wielded, but I felt them distinctly. The angels temporarily had her enclosed in walls of power, but she wasn’t bound, not yet. She pushed back against their restraints with considerable power of her own, and I gaped. Any one of those angels dwarfed my own power – yet, their combined force was still an even match for hers. It was a staggering thought, and I couldn’t understand why she’d need my energy since she had so much of her own. And actually, she did have some of mine. She’d taken about half before they’d pulled her out of me. Nyx shrieked in rage, still pushing back on them. Then, bit by bit, I could see the balance shift. Her power was fading the more she used it. The angels’ was steady. They were weakening her. She realized this and panic showed on her face. Casting frantic eyes over all the angels, she finally rested her gaze on Yasmine. There was still enough of a faint connection between us that I realized what Nyx was going to do. She’d sought out the least powerful of the foursome. Mustering the last of her power, she blasted it toward Yasmine, hoping both to smash the angels’ united front and hurt Yasmine enough to cause a distraction. A heartbeat before Nyx unleashed her attack, I saw Vincent’s face. He too realized what she was going to do. He moved forward, and I felt his mask drop. The telltale nephilim signature washed over me, and his power filled the room as well. There was a lot of it. He’d held back in the alley. Invisible energy rushed from Nyx toward Yasmine, trying to destroy the angel. But Vincent was there, blocking the attack. It rebounded back on Nyx. She screamed again, her defenses shattering. The other angels seized the opportunity, and bands of light snapped into place around her. A moment later, the light faded, but the restraints were there, even if I could no longer see them. She clawed around her, like a twisted version of a mime in a box, but she was trapped. She couldn’t get through the walls they’d locked her in. They’d done it. They’d recaptured Nyx. But none of the angels were paying attention to her. They were all looking at Vincent. â€Å"You,† gasped Joel. He didn’t hesitate. He strode toward the nephilim, and I saw Joel’s body start to shimmer with light. He was about to transform into his true form, a form of terrible beauty and power. But Yasmine was faster. The slim, dark-haired woman became pure light. She was all the colors of the rainbow and none of them. A sword of flame appeared in her hands. She stepped in front of Vincent – who was screaming at her to stop – and swung toward Joel. The blade hit him, and he screamed. An awful, burning sensation was starting to flood me. Hastily, I shielded my eyes and looked away, realizing what I’d almost done. An angel’s true form was an indescribable thing, requiring senses a human – or a human-turned-succubus – didn’t possess. Staring at her could cause me major damage. Even being in the same room with her hurt. But I’d seen what I’d needed to before looking away. I’d seen the sword fall. Yasmine had attacked Joel. Nyx had pegged her as the weakest of the four, but Yasmine and Joel must have been incredibly close in power. Catching him by surprise like that tipped the scales. The air in the room swirled, reaching hurricane levels. Power exploded around me, like a sun going supernova. Everything was fire and wind. And screaming. Twin screams: Yasmine’s and Joel’s. I wrapped my arms around me, burying my face, certain I was going to die. The energy exploding toward me reached a point in which it would surely blow up the building, blow up the world. Stronger and stronger it grew. Suddenly, it all reversed. Power rushed away from my side of the room, back toward the angels. It was like a black hole had formed, sucking everything toward it. Of course, it was only pulling energy, not physical objects, but I nonetheless felt like it was dragging me in too. I clutched the bed’s comforter, using it like an anchor to hold me down. Time ceased to have meaning. Ten seconds or ten hours could have passed for all I knew. Finally, the rushing stopped, and everything went still. The atmosphere returned to normal. No more insane power levels. There was only what you would normally expect in a room with three angels, a nephilim, a succubus, and a primordial entity of chaos. The latter had suddenly moved to the backburner of everyone’s attention. Yasmine had returned to her â€Å"human† form. It was safe for me. I looked up, expecting Carter and Whitney to swoop in and attack her. But they stood frozen. No trace of Joel remained. He was gone, destroyed. The typhoon of power had marked his death. Yasmine was on her knees, fingers digging into the sides of her face. She sobbed, murmuring words that sounded like frantic prayers. Vincent, like the angels, kept his distance from her. She had just killed Joel. I didn’t understand why no one was acting. Why were they just standing there? Everyone seemed to be waiting for something. Suddenly, a voice hissed beside me, more in my mind than spoken aloud. â€Å"Succubus.† I looked into Nyx’s cavernous eyes. Like Vincent and the angels, I’d forgotten about her. She extended her hand toward me, and I cringed. Fortunately, the invisible binds kept her from getting any closer. â€Å"Succubus,† she repeated. â€Å"Touch the walls. Use the last of your power to set me free.† â€Å"What? No!† I was dividing my attention between her and the others. The angelic group still stood motionless. â€Å"Free me, and I’ll help you exact your revenge.† â€Å"Revenge? Who are you talking about?† â€Å"The one who sent me to you when I escaped,† she rasped. â€Å"The one who promised you to me.† I had no clue what she meant. â€Å"Like†¦who freed you?† She cast an uneasy look behind her. Time was ticking down on her distraction. â€Å"No, you were promised to me! But I can help you. Help you punish – â€Å" â€Å"No,† I said. She was too dangerous. Whatever insane revenge she was talking about wasn’t worth what she could do to mortals if she was freed. Her desperation grew. The angels were eventually going to remember her, and we both knew it. â€Å"I will show you the end of the dream!† she cried. â€Å"I’ll show you the man. The man in the dream.† My heart stopped. â€Å"He isn’t real,† I whispered. â€Å"It was all a lie. You used it to trick me.† â€Å"No! Everything I show is true. Always true.† â€Å"It can’t be†¦it’s impossible.† I swallowed and felt tears starting to fill my eyes. I wanted it to be true. More than anything. â€Å"That can’t ever happen to me.† Nyx beat her hands on her unseen prison walls. â€Å"It’s real! It’s the future! I’ve seen it. Touch the walls, and I will show you. I will show you the man in the dream!† I wanted to. I wanted to see him. I needed to see him. The man in the dream. The man who could maybe truly make this future happen†¦. My hand moved forward, like it was being controlled by an outside force. Nyx’s eyes widened, eager and hungry. All of a sudden, a scream split the air. No, it was more than a scream. When Yasmine had destroyed Joel, that had involved screaming. This was more than that. It was the most horrible noise in the universe, a phenomenon that went beyond mere sound. Much as my eyes couldn’t exactly perceive an angel’s appearance, my ears couldn’t fully comprehend this. My hand dropped from Nyx, and I jerked my gaze to the angels. Yasmine was still on her knees, and flames were starting to consume her. It was no ordinary fire, though. It reminded me of the light of her true form: all colors and none. Carter and Whitney watched, faces unreadable. Vincent also watched. He’d taken a few steps toward me, backing away from the fire. The look on his face was filled with a jumble of emotions, none of them good. I didn’t understand what was happening to Yasmine yet, but I knew what would happen to him. â€Å"Get out,† I told him in a low voice. His face was pale, as pale as Nyx’s. He looked like he’d aged a hundred years. â€Å"I can’t†¦I can’t leave her†¦Ã¢â‚¬  â€Å"You have to. They’ll destroy you. Or if they don’t, someone else will. Someone else in the city will have noticed this. You know I’m right.† His eyes were still on Yasmine. I could no longer see her, though. She was all flame – flame that had turned black. â€Å"Go!† I exclaimed. â€Å"It’s what she’d want. She did this for you!† Vincent flinched at those words and finally looked at me. The full force of his grief made the held-back tears spill down my cheeks. â€Å"Go. Please,† I begged. Joel had been destroyed. Yasmine looked like she was about to be. I couldn’t stand anymore death. He said nothing, but after several seconds, he turned invisible. I felt his aura go. Across the room, the flames were starting to fade. Yasmine was slowly reappearing, completely unscathed. She looked no different, but something about her signature had changed. I felt the same golden light, the impression of saffron and frankincense. But it was edged in something else. It no longer had the sharp, crystalline quality of angelic auras. That was gone, replaced by a dark and smoky feel – a smokiness that had nothing to do with the fire. The flames finally disappeared altogether, and Yasmine still knelt on the floor. Seconds later, another signature joined us, one I knew well. Jerome stood in the room, apparently back from whatever clandestine matters he’d needed to oversee. He looked from face to face, finally focusing on mine. â€Å"Jesus Christ. What have you done now?† I ignored him, unable to tear my gaze from Yasmine. She looked the same, exactly the same. And yet, she wasn’t†¦ She’d noticed the change too. She held her arms out in front of her, studying them as though she’d never seen herself before. Horror flooded her features. â€Å"No,† she moaned. â€Å"No†¦Ã¢â‚¬  She began sobbing again. Carter finally looked away from her and met Jerome’s eyes. â€Å"This is yours now, Charon.† Jerome nodded and stepped toward Yasmine. â€Å"Time to go.† She looked up at him, face glistening with tears. She said nothing, but she didn’t need to. Her expression said everything. It was a plea, a plea that none of this was real, that maybe – just maybe – Jerome could make it all go away. He shook his head and touched her shoulder. They vanished. The room was quiet, an unnatural quiet that felt almost oppressive. My voice seemed strange and out of place. â€Å"Wh-what happened?† I asked Carter. I noticed now that Whitney was crying. â€Å"Yasmine has fallen,† he said softly. â€Å"She’s a demon now.† How to cite Succubus Dreams CHAPTER 22, Essay examples

Seamus Lawlor Comparative Politics Essay examples Example For Students

Seamus Lawlor Comparative Politics Essay examples Great Britain is currently viewed throughout the world as a parliamentary dictatorship due to the presiding power that the prime minister has over the entire government. In Great Britain the Prime Minister controls both the executive and judicial branches of government through their party having the majority of the seats in the house. With both the executive and legislative branches belonging to the same party the judicial branch loses some of its relative power through the legislative branch’s ability to pass new acts in parliament, which can overturn judicial rule. Afterwards the judicial branch has no power to declare the law as invalid, limiting the role of the judge to a mere law interpreter. In essence the judge would only be able to reflect the view of the legislature through his interpretation of the laws that had been reconfigured by the legislative branch. The current unbalance of power within Great Britain’s government shows how the government can be viewed a s a parliamentary-dictatorship due the prominent power that the Prime Minister has over the rest of the government through controlling both the executive branch and parliament, which is composed of both the House of Lords and The Commons. After more substantial reform the government in the United Kingdom has come to a more unified status; however, there is still arguably a parliamentary dictatorship in Great Britain despite recent reform due to the control of the prime minister though policy making and implementation. Great Britain is arguably a parliamentary dictatorship due to the immense power that the Prime Minister and his party have over government relative to their opposition. The Prime Minister’s hold of office depends upon his party having the majority of seats within parliament (AIT). In Great Britain, the party in power inherently has more seats than its opposition, which further reinforces the party’s dominance, as they control both the legislative and executive branches of government. With a system that clearly favors the party that is in rule it is relatively easy for the governing party to pass any legislation due to the power of the whip system that reinforces that MPs vote along their party lines. In Great Britain the government typically passes upwards of ninety-percent of the bills that it creates with relative ease****. Between 1997-2005 the Labour party had not lost a single bill under Tony Blair. Great Britain exhibits characteristics of a parliamentary dictatorship due to the immense power that one party possess’ over the rest of the government. This problem appears more pronounced once we analyze the type of electoral system that Great Britain uses. In the first past the post type of electoral system the candidate with the majority of votes wins, even if they only receive a fraction of the vote. The first past the post system leaves room for many of Great Britain’s citizens to go unheard, as only one party takes the reigns of government with their ability to both create and implement new laws and regulations. The limited powers of parliament lead to a parliamentary dictatorship because the current system diminishes parliamentary sovereignty by enabling a single party to create and implement any regulation or bill that they please. Even though parliament is regarded as a sovereign body within the constitution, there is clearly a single party that controls the m ajority of the government. Parliament certainly has limited power as recent modifications have decreased parliament’s effectiveness in multiple respects, from holding the executive to account to scrutinizing the executive branch. The 1911 House of Lords act diminished the power of the lords by preventing them from having any influence on finances. Britain’s role in the European Union further diminishes the government’s power by taking away decisions that would otherwise have been left to parliament to decide upon. In 1997, parliament was uninvolved in the Common Agricultural policy because of their role in the European Union. Pressure groups have also further been used to advance the executive’s agenda by providing even more power to the executive in order to ensure that their agenda is passed. Overtime parliamentary sovereignty has been further undermined through referendums, where the majority party will typically pass a bill due to their overwhelming dominance in the house. .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc , .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .postImageUrl , .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .centered-text-area { min-height: 80px; position: relative; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc , .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc:hover , .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc:visited , .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc:active { border:0!important; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .clearfix:after { content: ""; display: table; clear: both; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc:active , .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .centered-text-area { width: 100%; position: relative ; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc:hover .ctaButton { background-color: #34495E!important; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9e9bc67a8b6a00b09c8ae8c4fd1f8dbc:after { content: ""; display: block; clear: both; } READ: Analysis of India in Comparative Politics EssayThe vast majority of the issues that lead to a parliamentary dictatorship are created through the fusion of both the executive and legislative branches of government making the process of implementing bills and regulations as simple as possible. Through Britain’s declining parliamentary sovereignty one can clearly see how their system of governance behaves in a similar manor to a parliamentary dictatorship due to the overwhelming power that is possessed by the Prime Minister. Under Tony Blair rule the government could be increasingly seen as a parliamentary dictatorship due to changes within parliament that give more power to the Prime Minister over the rest of the cabinet. Since 1997, Tony Blair has continued to show how the Prime Minister is able to dominate British politics through his ability to pass laws with relative ease. Tony Blair’s style, which can be seen as similar to that of a dictator, is well depicted through Blair’s cabinet management. Tony Blair holds short meetings infrequently in order to attain as much control over the government as he possibly can. In general the less that Tony Blair needs to explain, the better it is for him. It is not uncommon for Tony Blair to make important decisions without consulting the cabinet, as is the case when Tony Blair decided to engage in the Iraq war; although, the majority of his cabinet disagreed with his decision (Telegraph). After viewing the minutes from the two cabinet meetings prio r to deciding upon the Iraq war it became clear that there had been rather little effort in the way of parliament opposing the Iraq war. Robin Cook and Clare Short had been the only two members of parliament to speak out against the Iraq war debating whether or not it was just. Following Tony Blair’s decision to engage in the Iraq war both Robin Cook and Clare Short resigned (Sparrow). Another Example of a parliamentary dictatorship can arguably be seen through Margaret Thatcher’s time as Prime Minister. Margaret Thatcher also exhibited many of the same characteristics as Blair, as she attempted to control the government with little influence from parliament. Margaret Thatcher went against the cabinet in many critical decisions, specifically the poll tax. Britain has arguably been a parliamentary dictatorship since the Thatcher administration because of the overwhelming influence that the Prime Minister has over the rest of the government. The primary function of committees is to perform as system of checks and balances that ensure that no decisions are being made without just cause and reason; however, under the Thatcher administration that deemed rather difficult due to the limited power possessed by the committees. Initially in the 1980’s select committees had established themselves as important contributors to parliament through their impact on the executive; however, modifications, poor resources, and insufficient time significantly reduced the impact of the committees on the executive branch (Benton). Even though Great Britain can be seen as a parliamentary dictatorship in many respects, there are still some aspects of Britain’s political system that aim to increase parliamentary sovereignty. For instance, the presence of a collective cabinet responsibility requires that the cabinet side with government policies, meaning that the cabinet supports the decision of the Prime Minister. In between elections the government is still held accountable, and a vote of no confidence can be put into place within parliament. If passed, every government official and minister drawn from parliament automatically resign, and the entire executive is dismissed. The House of Lords further acts as a control on the executive branch by aiding in the legislative process by having the ability to amend, delay, and reject bills (Norton 157). The control of the executive branch is exercised through Prime Ministers question time, opposition days, and back-bench rebellions; â€Å"Questions are required to be precisely that†¦ they are not necessarily information-seeking but rather means of raising issues and criticizing (or praising) ministers (Norton 121).† .ue07f1c843f3dbe959112f9741212649d , .ue07f1c843f3dbe959112f9741212649d .postImageUrl , .ue07f1c843f3dbe959112f9741212649d .centered-text-area { min-height: 80px; position: relative; } .ue07f1c843f3dbe959112f9741212649d , .ue07f1c843f3dbe959112f9741212649d:hover , .ue07f1c843f3dbe959112f9741212649d:visited , .ue07f1c843f3dbe959112f9741212649d:active { border:0!important; } .ue07f1c843f3dbe959112f9741212649d .clearfix:after { content: ""; display: table; clear: both; } .ue07f1c843f3dbe959112f9741212649d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ue07f1c843f3dbe959112f9741212649d:active , .ue07f1c843f3dbe959112f9741212649d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ue07f1c843f3dbe959112f9741212649d .centered-text-area { width: 100%; position: relative ; } .ue07f1c843f3dbe959112f9741212649d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ue07f1c843f3dbe959112f9741212649d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ue07f1c843f3dbe959112f9741212649d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ue07f1c843f3dbe959112f9741212649d:hover .ctaButton { background-color: #34495E!important; } .ue07f1c843f3dbe959112f9741212649d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ue07f1c843f3dbe959112f9741212649d .ue07f1c843f3dbe959112f9741212649d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ue07f1c843f3dbe959112f9741212649d:after { content: ""; display: block; clear: both; } READ: Comparative Politics of the French and Mexican Governments EssayGreat Britain currently has some limitations in place that prevent the Prime Minister from having complete control over the government; however, despite this the Prime Minister still has a overwhelming influence on how the government operates. As the executive branch continues to grow in strength the potential of abuse increases exponentially, as a single person gains more control over both the legislative and executive branches. As one can clearly see through Tony Blair’s decision to engage in the Iraq war and Margaret Thatcher’s decision on the poll tax, Prime Minister’s do not necessari ly listen to their respective parliaments and can typically pass what they please with relative ease. Although Great-Britain claims to be an elected democracy, the overwhelming power that a single person, The Prime Minister, has over the entire government can lead one to question whether it is really a parliamentary dictatorship due to the Prime Ministers abilities to pass practically any law they deem fit with their majority rule throughout the government.

Cormac Mccarthy free essay sample

McCarthy could be labeling the characters ‘the man ‘and ‘the boy’ to show the effects on mankind after this catastrophe. By labeling them ‘the man’ and ‘the boy’, it could be that McCarthy is trying to universalize his characters, showing how much of a change there has been in the novel after the tragedy which has transformed the earth. McCarthy has been very vague about the form and setting, from the opening pages, the reader still does not have a clear understanding of where exactly the novel is set or where ‘the man’ and ‘the boy’ are going. The month/date has not been clarified either as the narrative voice says ‘it could have been October’. The narrative voice talks about ‘the man’ and ‘the boy’ going south. Also the narrative mentions a ‘gas’ station and McCarthy has used a different spelling of particular words (gray instead of grey) which gives the hint that the novel is set in America. We will write a custom essay sample on Cormac Mccarthy or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page From the beginning, the reader can gather a different sense of language, structure and form, then from a regular novel. Cormac McCarthy uses structure to set up his novel to reader, irregularly. From the opening pages, there are no chapters or speech directions. As we read on we learn that McCarthy has created a setting of a post-apocalyptic world. McCarthy may have done this to suggest a link between structure and setting. By not including punctuation and other structures such as chapters, Cormac McCarthy creates a narrative that is starkly bare, stripped to nothingness like the novels setting. By doing this, McCarthy is completely stripping the book, which engages the reader more than just the bleak description. From the opening pages, McCarthy has used a 3rd person narrative and nameless characters, which has kept the opening passage extremely vague. It is strange that in this post-apocalyptic world, where it is interpreted by the reader, to have a sense of emptiness, McCarthy has used a 3rd person narrative with a single point of view. Almost as if someone is watching everything whilst it is happening. McCarthy could be doing this to add suspense, as he later talks about ‘the man’ carrying a pistol and also has a motorcycle wing mirror attached to his shopping cart. Understanding that ‘the man’ is almost expecting something or someone to approach him, added to the fact there is a 3rd person narrative with a single point of view adds suspense and curiosity to the novel. To bring the setting to life, McCarthy uses effective language and tone to engage the reader and create an image in the head of the reader, of what the world is like for ‘the man’ and ‘the boy’. McCarthy combines the harsh reality of the post-apocalyptic world, with a tender father and son relationship. McCarthy uses symbolic language to describe the atmosphere, by associating The Road and its surroundings with the color such as ‘grey’, which is linked with negativity and dullness. McCarthy could be doing this to suggest that there is not much hope left, by linking ‘the man’ and ‘the boy’s’ surroundings with the color grey, it shows that there is not a kindle of hope. McCarthy has not introduced any characters other than ‘the man’ and ‘the boy’, but he describes to different groups whilst describing The Road, ‘Bloodcults’ and ‘Road Agent’. McCarthy uses the word ‘Bloodcult’ instead of cannibals. Cult meaning a group whose beliefs are considered abnormal or bizarre, but the people within the cult do not believe what they are doing is wrong. Cannibalism is a negative term, but due to the extreme changed that has happened to the world in The Road, McCarthy has combined the two words ‘blood’ and ‘cults’, to show that the world has undergone such a great change, that even one of the worst things that one human could do to another, are considered as normal. McCarthy also uses the words Road Agent’ instead of highwayman, which is someone that holds up travelers at gunpoint in order to rob them, which links to The Road as people will be travelling. McCarthy might have used the words ‘Road Agent’ and ‘Bloodcults’, to show that this post-apocolyptic world has no law or expectations of society, everything/everyone is no different, and whatever actions take place are acceptable, not because people choose to, but because they have no choice, but to rob or result to cannibalism to survive.